PRESS about Tanz Münster

Review of FURIEN by Lillian Stillwell
Westfälische Nachrichten

Review of FURIEN by Lillian Stillwell Tanznetz.de

PRESS about the “Sustainable Dance Stage Competition” at Theater Münster

Interviews

Interview with Lillian Stillwell and Tom Ryser (SNOW productions) by wiewaersmalmit.ch


Interview with Lillian Stilllwell on Leadership, Parenting and Dance for www.re-dance.work, by Katelyn Skelley

 

 

International Productions

In the exhausting final scene…a beautiful white scene is revealed, a surreal ballet around the newlyweds playing in Anna’s head. The choral scenes…embellished with refined choreography, are a feast for the eyes in this production.
Volkskrant, ANNA BOLENA / Dutch National Opera & Ballett (2022)

— a completely new music theater experience has been created by Jochen Biganzoli, Milo Pablo Momm, Tom Ryser and Lillian Stillwell, each of them an alpha director.  The differences between the individual signatures harmonize wonderfully.
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, ALIVE! SAISONSCHLUSS_20 / Theater Lübeck (2020)

Of European ranking…here in Copenhagen they sing with tendness and grace, effortlessly choreographed by Lillian Stillwell to fit the singers like a glove.
Opernwelt, L’ORFEO / Royal Danish Opera (2020)

Effervescent, at times ecstatic, and delicately sensitive, Lillian Stillwell has found a movement language in which nothing seems extraneous. Everything happens naturally, unfolding out of the context of the story.
Musicalzentrale, JESUS CHRIST SUPERSTAR / Theater Basel (2016)

This is no run-of-the-mill musical choreography but true dance theater. Lillian Stillwell choreographs with a ferocious appetite for various movement styles. The opening song after the intermission “Too Darned Hot” flies into a frenzy and builds to the scorching high point….Wunderbar!
Musicals Magazine, KISS ME KATE / Staatstheater Kassel (2015)

Kinky choreography by Lillian Stillwell.
Weser-Kurier, LAZARUS / Theater Bremen (2018)

Choreographer Lillian Stillwell and director Tom Ryser integrate opera and dance astoundingly.  The four dancers on pointe create a second dimension through their otherworldly gestures, which makes the spiritual aspects of the ritual visible. On the other end of the spectrum, the Street-Chorus lets loose with breakdance.
neuemusikzeitung, MASS / Theater Lübeck (2017)

The connecting element of the entire artistically well-crafted and buoyant result is Lillian Stillwell’s modern choreography.
Kieler Nachrichten, THE FAIRY QUEEN / Theater Lübeck (2015)

Nominierung: Choreographin des Jahres
Musicals Magazin, JESUS CHRIST SUPERSTAR / Thetaer Basel (2016)

The choreography by Lillian Stillwell is a highlight of the production. The dance ensemble is brilliantly erotic and acrobatic. Fred’s dresser Pat throws down a wicked solo and the strong Opera Chorus also swings along strongly.
HNA, KISS ME KATE / Staatstheater Kassel (2015)

Their choreography, created by Lillian Stillwell, incorporates martial arts and other elements in the most elegant way. The disciplines are brought together astoundingly naturally.
Hamburger Feuilleton, THE FAIRY QUEEN / Theater Lübeck (2015)

Lillian Stillwell has developed choreography that could be described as classical ballet with modern elements, to wonderful effect. The four dancers could be described most accurately as God’s Ideas.
Ihr Opernfreund, MASS / Theater Lübeck (2017)

The fantastic choreography by Lillian Stillwell transforms the groove of the music into movement: she lets the Theater Basel chorus and Münster Gospelchoir loose as a pulsing mass, uses a couple of them as arm-waving Backup-Girls, engages acrobatic dancers and choreographs a wonderful tap-dance number for King Herod.
Tageswoche Basel, JESUS CHRIST SUPERSTAR / Theater Basel (2016)

The program quotes Wsewolod Meyerhold: The actor in a musical drama must recognize the essence of the score and translate all of its subtleties into his movement language. That succeeds outstandingly under the Movement Direction by Lillian Stillwell.
Göttinger Tageblatt, THE LOVE OF THREE ORANGES / Staatstheater Kassel (2016)

One just can’t get enough of the exhilarating chorus scenes choreographed by Lillian Stillwell.
NDR, SUNSET BOULEVARD / Theater Lübeck (2016)

The choreography by Lillian Stillwell deserves special praise. Her expressive dance images contribute significantly to the overall totally convincing and coherent interpretation. In this production, the successful musical is not just reproduced, it is taken seriously.
Musicals Magazine, EVITA / Staatstheater Kassel (2013)